The Uncanny Valley Club: Scenes In Colour.

Dale arrives in the city to join the anti-sexbot core.

Dale and Henry, the two pivotal characters in The Uncanny Valley Club, come together in this chapter, chapter five. Neither is who the other expects to be meeting. To Dale, Henry is the person she needs to get close to, a senior and dynamic business manager at Quinn Corp. Someone with the reputation of a manipulator who she needs to be careful of, but upon meeting him, he comes across as a bit of a loser. To Henry, Dale is the new intern, more of an inconvenience to Henry, but she’s to become the person who brings both him and Quinn Corp undone. (How I came to be drawing these pictures )

She embarked on this venture four weeks ago with the creation of a persona, one completely at odds with her own, allowing her to be the person she needs to be. But now, she’s rattled. She bolsters herself by reciting the list of attributes she had decided to take on: unflappable, uncaring, straightforward, daring—I don’t give a fuck. A personality to wear like a cloak.

She pulls her bag close against her legs. A woman heads toward her, her face focussed, and then moves on past while hurrying along her four small jiggling children—a family size that must be a pleasant throwback to the last government. The crowd thins. The trains become still. A fake vintage clock echoes throughout the station with a confected tick thunk, tick thunk, tick thunk, and the vast building pulsates with the emptiness.

Her phone vibrates in her pocket, and she takes it out. It’s Esther from QRC. She breathes in. It rings and rings. She breathes out. Train noise builds around her. Heels click, and the drones return to hover. The energised air needles her anxiety.

The Uncanny Valley Club, Julie Proudfoot

The sky was turning petrol blue and the air held notes of spring. Anna George, What Came Before.

MY NEXT AUS WOMEN WRITERS  challenge read this year is Anna George’s contemporary fiction/psychological drama, What Came Before. It’s her first book, arriving on the scene in June this year (2014) and it’s a punchy page turner. Ms George has a delightful way with words and dispatches the story with style and class. I’ve underlined quite a few one liners in the book that lift the text and make it sing.

The sky was turning petrol blue and the air held notes of spring.

Petrol blue? How good is that?

The story revolves around David Forrester and Elle Nolan. When Dave and Elle meet, an instant and dynamic romance begins. They both revel in what Elle describes as the psychological term, Limerence- the euphoria of romantic attraction – and dream of long term plans.

But Elle is a romantic comedy script writer, and she can’t help but dissect their new found love like it’s a chess game. She questions her every feeling and action, mocking herself, to the detriment of their relationship. Dave, haunted by unhealthy baggage, struggles with the normal mechanisms of human interaction resulting in uncomfortable and unhappy exchanges.

As their tumultuous affair unfolds their desire to be in a relationship that heralds an opportunity for them both to become parents has them naively explain away Dave’s increasingly unpredictable and violent behaviour.

I don’t think it gives too much of the story away to say Ms George draws the reader in from the get go with Dave’s surprising confession of  Elle’s murder.  As the title suggests, we are taken on the ride of what came before the murder with an in-depth and sensitive probing of the emotional side of Dave and Elle’s road to disaster. We spend time understanding the slightly delusional Dave as he unfolds his version of the story and we hover delicately in the mind of the murdered Elle who watches over her own murder scene in lovely dream like sequences.

Elle hovers forlornly above her wall-hung dryer. Outside, the night is cooler and deserted. Nothing is moving, not even a possum. Despite the dozen small houses nudging against hers, no one besides Mira and Doris knows her intimate routine. No one else knows to rap and shout. No one else will be looking. But perhaps that’s not so bad. She’s not ready, she realises, to be found — to be publicly dead.

Ms George has worked in the legal profession, the film industry, and is a reviewer for The Age Newspaper. Her knowledge of what makes a good story comes together to kick this book into a superbly delivered page turner.  Readers will feel they are in good hands.

A shorter version of this review appears in The Bendigo Weekly Newspaper

Australian Women Writers Challenge 2014

awwbadge_2014

The Australian Women Writer’s Challenge has begun its third year. Going in to this year I’m pledging the Stella Level – to read four books by Australian Women. See here for details on the Aus Women Writers website. The number of books is a token measure to keep me on track, my list of books by Australian Women that I plan to read is fluid, and will grow as the year tootles by.

I’m beginning the year with the following list, and I’ll be interested to see how it changes and grows over the year.

Just_A_Girl by Kirsten Krauth. ✔ Interview with Kirsten   mini review

Midnight Blue and Endlessly Tall by Jane Jervis-Read. ✔ Review.

brb: be right back, by Maree Dawes ✔ mini review

Hostile Takeover, by Claire Corbett. From the The Amanda Lohrey selects series

Writing in Virginia’s Shadow, by Mary Pomfret  Review Interview

Fractured by Dawn Barker.

The Young Widows Book of Home Improvement by Virginia Lloyd.

Mary Poppins by P. L. Travers.

.

Blog at WordPress.com.

Up ↑

%d bloggers like this: