Creating space in writing.

In the excerpt below, I love the space created by a simple change in focus. The grandmother pauses within the story to brush flies from the child’s face, and we just know there is something wrong! Love it.

“The little granddaughter came, picking her way through the long grass. She told the grandmother that the new baby was going to have a bath and she was going to have a bath as well. Her mother had said so.

‘Is mother going to have a bath too?’ the grandmother, brushing flies away from the child’s face, asked.

‘Yes,’ the child told the grandmother. ‘All, her and me and baby.’ The grandmother was surprised….the baby and the granddaughter had been bathed.”

(P116. The Orchard Thieves, Elizabeth Jolley 1995)

Advertisements

Writer’s Diary 7: The Process That I Know

 

17990948_864715533678767_6006717193930404319_n

 

I’m starting another book, and this is what I now know about my writing process.

I now know that what other authors say about writing a book – that the writing of every book is no easier than the first – is a fact I have found to be true, but there are other things that I know, and the knowing makes it a calmer and enjoyable process, perhaps more enjoyable than those books that came after the first, and before the most recent.

I now know that it takes me at least a year to write a book, (others are faster and churn out a few per year, or are slower). I’ve learnt this about my style, and so I know not to expect myself to be quicker. I know that I need to make a plan for a book, and that the end result will only barely resemble that initial plan, but I need to make the plan, regardless. I know I will make many drafts, the first will be sketchy and shallow, the last will be a long and satisfying process of examining every word’s relevance in every sentence. I know that when I have finally completed that book, edited and laid out how a finished book should be, and told everyone that I have finished, the truth will be that I have, in fact, not finished. Three months later I will write one more of at least two more drafts, and I also know, that this process from start to finish is all part of what I find to be the most enjoyable part of writing a book.

Writer’s Diary 6: Every Sentence

 

images

I recently finished a novel. It was a love novel, one of those ones you write because you love the subject or something about it. I love meta-fiction – it’s a meta-fiction novel.

But now that I have finished, what next? I’m now writing another novel, this one may be a series, but we will see.

I’ve come to realise that I missed the love I have for writing and words and sentences. I lost that lovin’ feeling with the publication of my novel, The Neighbour. I got all wound up in the expectations that I put on myself to promote on social media.

But I’ve wound all that back and loving writing again. What do I love? I love that every sentence is an opportunity to convey meaning – and that is simply it. I love sentences.

I love my chair, the blank page, and sentences.

 

Quicky Writer’s Health For Back Pain & Mental Fatigue: Writer’s Diary 5

I’m sharing with you my fabulous, and quick – and when I say quick I mean minutes – daily remedies that work for me,  I hope they help you too.

These two simple things take a few minutes. For back health, four simple yoga exercises that are wonderful for back pain,and for mental fatigue an easy and quick meditation app.

 

LEG-OVER

(Photo credit: Jill Miller)

All-In-One-Yoga-Pose1

Lie on back with arms stretched out to the side

Raise right leg until pointing straight up

Move the raised leg left across the body & try to lower to the floor

Keep both shoulders on the floor

Turn your head to the right – hold for 5-20 secs then raise the leg again and lower back straight

Repeat with left leg.

 

2. ALTERNATE LEG STRETCH

(Photo credit: Yoga Basics)

JanuSirsasana8782

Sit with right leg straight out in front of you, place the bottom of the left foot against the right thigh.

Slide your hands down your leg as far as you can, curling your spine, then grasp your leg where ever you are at, knee, calf, ankle – hold for a few seconds.

Repeat with other leg. Do both legs three times.

 

3CROSS-BEAM

(Photo credit: Blue Osa)

parighasana

 

Kneel on the floor

Stretch your right leg out to the right

Keep your left knee directly in line below your left hip and align your right heel with the left knee.

Place your right arm on your right leg

Bend your torso to the right, aiming to put your right ear on your right arm

Lift your left arm over your head, aiming to bring it down to the right and put palms of both hands together ( I did say aiming)

Keep facing forward, and hold it for a few seconds

Repeat on the other side

 

4 CROSSED KNEE BEND

(Photo credit: Yoga Journal)

download

Stand, and cross your right ankle over your left. Place toes beside each other

Inhale, then as you bend forward, slowly exhale and bring fingers as close to floor as you can. Let your head hang

Exhale completely, relax abdomen, wait as the abdomen is voluntarily sucked upwards

Straighten and inhale

Repeat on other leg

Screenshot_2016-06-28-15-36-27_1

… and for mental health/fatigue, to take you out of that deep writer-thinking-mode and relax your brain muscles, I use a meditation app on my phone that takes ten minutes.The app is the Head Space app which has the first ten sessions for free so you can try it out. I bought the whole thing and use it most days.

What do you do for writer’s health?

 

 

 

 

Writer’s Diary: 1

IMG_3740

(Apologies for the repost, I’m changing my theme and rearranging my blog.)

THE process an author goes through is detailed and individual. In Writer’s Diary I will dip in and note what it is that I do to create my current novel. The posts will be short and to the point, and, on the topic of writing, only. I hope it is useful to both you and me!

I’m currently working my way through a draft of ABSENCE. It’s something like the fifth or sixth draft. (when I think about it, it’s a lot more than that!) As I deleted approximately 50,000w in the last draft the MS was down to about 40k, but the essence of the story is now very clear and tight. So now I’m working my way through and expanding every idea in each chapter. I’m also working backward from C60 back to C1 so that I give every attention to the individual chapters rather than getting lost in the entire story. It’s now back up to just over 63k and I’m at C28.

The more you know…The Author-Narrator-Character Merge

 

Image-1

I’m in my happy place when I’m with a good book on writerly devices, and I love to experiment with what I have learnt and attempt to incorporate that into whatever I’m working on, just for the fun of it, but there is a downside to this, I can’t unknow things that I have learnt. I can’t write and ignore great advice, can I?

I recently read The Author-Narrator-Character Merge: Why Many First-Time Novelists Wind Up With Flat, Uninteresting Protagonists, an essay by Frederick Reiken. I definitely don’t feel like I have an uninteresting protagonist in The Neighbour, after all, people either love him or hate him, no in between, but it’s an element of writing that I don’t think I have thought about.

Reiken states that a writer will often fail to distinguish between, and keep separate, the author, the narrator, and the protagonist.

Understanding this separation is easier with first person narrative, there is the author, there is the narrator who is a character separate from the author, and there are characters in the story. In regard to third person narratives it becomes more complex. Reiken refers to psychic distance between a narrator and character- an idea put forward first by John Gardener. The division between author, narrator, and character is much more complex and there you get more into an author’s own style and the varying degrees of psychic distance, the idea of which requires more space and thought than I can dedicate here, but I urge you to seek out this article and give it a close read. Perhaps I might tease it out in another post soon.

I’m pleased to say (if you’ve read The Neighbour you’ll understand why I’m pleased :)) that I went to great lengths, many many drafts, to create a character that had nothing of me, the author, in him and the style is more what is called Free Indirect Discourse. Free Indirect Discourse has the narrator reporting the thoughts and dialogue of the character. The narrator reports all that the character does, sees and feels almost as if the narrator is the character, except she is still that third person. I feel this style gives the reader more access to the thoughts and feelings of the character and is a more engaging read.

If you are a fan of writing this way you are in good company, James Joyce, Virginia Woolf and Jane Austen were all fans of Free Indirect Discourse. But this idea of the Author-Narrator-Character Merge is an element of writing that will forever be on my mind when I’m writing, I can’t unknow it!

Blog at WordPress.com.

Up ↑

%d bloggers like this: