Kickstart Your Novel — Write Your Book

 

Hello friends – It’s been a long time coming, but I have finally published my passion book! While I’m still a busy bee on my fiction work, (and excited to be on the home run with a fictional exploration of the sexbot world!) I’m also very pleased to produce a non-fiction book on the craft of novel writing. The behind-the-scenes of writing is something I love to write about, and Kickstart Your Novel is just that.

I’ve been absent from writing for about 5 years with an illness, but have finally knocked that on the head. It has been devastating as a writer to have had the ability to read and write whisked away from me — but it’s equally exciting to experience the gift of having it returned to me, and I have returned with renewed love for words, the writing life, and a desire to share my knowledge with anybody who has a desire to receive it, so, with that said I will share the introduction of my new book with you:

Dear writer,

Welcome to Kickstart Your Novel. As an author and teacher of writing, I know that the desire and passion to write is sometimes not enough to get a novel written; the road from idea to manuscript can be confusing and daunting. Kickstart Your Novel is a grassroots, simple to access, concise guide to the tools I find the most useful for getting first drafts on the page.

Every writer has their own set of tips and tricks that work for them, and I encourage you to take from here what is most useful for you and your writing habits and come back to the rest if and when you need to. Whether you’re writing for therapy, to get published or just for fun, my mission is to help you lay the foundations of your work so that you can then progress to the next phase of rewriting, editing and polishing your novel.

The important thing is to get your words on the page — then you’ve got something to work with. The expression ‘you can’t edit a blank page’ is where we begin.

Julie Proudfoot,

Kickstart Your Novel is available as an Ebook and downloadable here: Kickstart Your Novel

Writer’s Diary 6: Every Sentence

 

images

I recently finished a novel. It was a love novel, one of those ones you write because you love the subject or something about it. I love meta-fiction – it’s a meta-fiction novel.

But now that I have finished, what next? I’m now writing another novel, this one may be a series, but we will see.

I’ve come to realise that I missed the love I have for writing and words and sentences. I lost that lovin’ feeling with the publication of my novel, The Neighbour. I got all wound up in the expectations that I put on myself to promote on social media.

But I’ve wound all that back and loving writing again. What do I love? I love that every sentence is an opportunity to convey meaning – and that is simply it. I love sentences.

I love my chair, the blank page, and sentences.

 

What Is Your Theme? Writer’s Diary:4

images

 

If you don’t know your theme, get to know it. You will be asked about it, best it doesn’t come as a surprise to you – Elizabeth Jolley.

Years ago, I read the above quote from Elizabeth Jolley, and decided to pay special attention to becoming aware of my themes. I thought I knew what my overarching theme was. I thought (loftily) that my themes were the psychology of behaviour with narratives on behavioural theory.

It is often said that theme is difficult to describe, and writers are frequently unaware of just what their themes are. Theme is not story or plot. Theme is the underlying idea, concept, or philosophy in your story. Theme is not what happens in your story, but what your story is about. Theme is often not a choice, especially for fiction writers, but evolves out of a writer’s interests and passions, and, as a result, writers very often – but not always – have the same theme throughout their works.

Now that I’ve completed my third book, it has become clearly apparent that my theme is more tangible, and less lofty, than ‘psychology of behaviour’. I can now be more exact. For some reason not known to me, I write from a male POV and my theme is as simple as crazy men doing weird shit, or, men’s decent into madness.

Knowing your theme can be a useful tool in getting your story finished. If I find I’m wondering what it is I’m actually trying to say, if I’m asking the question, who is this story about? or what is this story about (questions publishers and agents want you to know about your own work) or what message am I trying to get across? Being clear on theme can help answer those questions.

Melissa Donovan says theme can be described as broadly as redemption, sacrifice, betrayal, loyalty, greed, justice, oppression, revenge, and love or they can ask questions or pit two ideas against each other: science vs. faith, good vs. evil, why are we here and what happens when we die?

When I put the question, what do you think your themes are, out to social media, writers were much more specific about their themes:

Kim Swivel: love, bigotry, class, political stupidity, Australian iconography

Anna Spargo-Ryan: Mental illness, family violence, parent-child relationships, substance use, love, loss, food.

Jade Aleesha: My most recent novel explores the power of the media and government to redefine history, and the overlooked role of women in revolution.

Caroline Hutton: Secrecy in families, letting go of old hurts, staying whole in marriage, marital expectations of boundaries vs secrets

Sarah Jansen: Abandonment, the pursuit of happiness, self-reliance, unexpected situations

Sarah Widdup: Relationships, imbalance, expectation, equilibrium

Bianca Nogrady: Family and what we would do for them (or not). Also choice … I’m fascinated by this idea that choice is generally viewed as a good thing in that it gives us a sense of control, that we can always choose between options, however bad those options are. I think there are some choices that we never want to be faced with, and in some situations we would rather have those choices taken away from us.

Eliza Henry Jones: The themes of my writing have always changed to reflect whatever it was I happened to be grappling with at that time in my life. Reading back over (very, very, very poor) novels that I wrote as a teenager is almost like reading a diary. I’ve explored issues of religion, dementia, adoption, substance abuse and parental mental illness. I think what I keep coming back to again and again, though, are themes of grief and letting go.

Fleur Ferris: Online safety, grief, consequence, religious extremism, fanaticism, misuse of power, bullying, identity, relationships/friendships/family. (Not all in the same book…OMG, it doesn’t matter. I’m so miserable!) *rushes to computer and begins writing a romantic comedy.

Robyne Young: Emotional and geographical displacement, punishment, feminism, family.

One of the benefits of knowing your theme means you can look where other writers have explored the same themes with success. Men’s decent into madness threw up the following titles, which also made me aware that, so far, I’ve only found male authors who have approached the same theme, so I’d better get to work!

One Flew over the Cuckoo’s Nest, Ken Kesey; Crime and Punishment, Fyodor Dostoyevsky; Heart of Darkness, Joseph Conrad; The Stranger, Albert Camus; Fight Club, Chuck Palahniuk; The Shining, Stephen King; King Lear, Shakespeare; Catch-22, Joseph Hellar; Lord of the Flies, William Golding; Shutter Island, Denis Lehane; Hamlet, Shakespeare.

 

 

 

 

Clunky sentences? Read that stuff out loud. Writer’s Diary: 2

148070-004-4313AF06.jpg

 

The last thing I do before moving on to the next chapter to edit, is read that thing out loud — shut the door and say it loud! — It’s a piece of advice people give you but you never do, right? I started doing it b/c the couple of times I’ve had to record a short story for radio and podcasts, I found that in the act of doing so I picked up so many clunky phrases or yucky sentences. And it’s especially helpful if you’re a fan of sentences that have rhythm and feel good and are nice to listen to. After reading my stories for said radio/podcast I actually changed a lot of words and had to resubmit the written story. If you imagine, while reading, that it is for radio and therefore u need to pronounce clearly, it really hones in on those ugly words – and you never know when, in the future, you might have to read that out loud to someone, so best fix that shit now.

Writer’s Diary: 1

IMG_3740

(Apologies for the repost, I’m changing my theme and rearranging my blog.)

THE process an author goes through is detailed and individual. In Writer’s Diary I will dip in and note what it is that I do to create my current novel. The posts will be short and to the point, and, on the topic of writing, only. I hope it is useful to both you and me!

I’m currently working my way through a draft of ABSENCE. It’s something like the fifth or sixth draft. (when I think about it, it’s a lot more than that!) As I deleted approximately 50,000w in the last draft the MS was down to about 40k, but the essence of the story is now very clear and tight. So now I’m working my way through and expanding every idea in each chapter. I’m also working backward from C60 back to C1 so that I give every attention to the individual chapters rather than getting lost in the entire story. It’s now back up to just over 63k and I’m at C28.

Create a free website or blog at WordPress.com.

Up ↑

%d bloggers like this: